alvar aalto nico saieh saynatsalo town hall Archeyes facade
The Säynätsalo Town | © Nico Saieh

At the heart of a Finnish farming town lies a building that evokes a unique blend of architectural grandeur and democratic humility—Säynätsalo’s Town Hall. Designed by the Finnish architect Alvar Aalto in 1949, this iconic structure is a marriage of contrasting elements that together forge a new civic identity for the community of Säynätsalo. Beyond the brick and timber, this structure holds stories of architectural brilliance, community engagement, and controversies that have kept it in discussions for over seven decades.

The Säynätsalo Town Hall Technical Information

The ultimate goal of the architect…is to create a paradise. Every house, every product of architecture… should be a fruit of our endeavor to build an earthly paradise for people.

– Alvar Aalto1-2

The Säynätsalo Town Hall Photographs

alvar aalto nico saieh saynatsalo town hall Archeyes towers
© Nico Saieh
alvar aalto nico saieh saynatsalo town hall Archeyes Exterior
© Nico Saieh
alvar aalto nico saieh saynatsalo town hall Archeyes entrance
alvar aalto nico saieh saynatsalo town hall Archeyes BRICK
© Nico Saieh
alvar aalto nico saieh saynatsalo town hall Archeyes water
© Nico Saieh
alvar aalto nico saieh saynatsalo town hall Archeyes patio
© Nico Saieh
alvar aalto nico saieh saynatsalo town hall Archeyes green
© Nico Saieh
alvar aalto nico saieh saynatsalo town hall Archeyes room
© Nico Saieh

Architectural Form and Function

Säynätsalo is a small island town located on central Finland’s Lake Päijänne. Founded in 1945, this town organized a competition in the late ’40s for designing a town hall that would serve its burgeoning population of around 3,000 inhabitants. The multi-purpose civic complex had to incorporate a council chamber, local government offices, a community library, staff apartments, and retail space. Aalto’s winning proposal emerged as an architectural exemplar that married tradition with modernity.

Aalto adapted the classic European court-and-tower model to build a complex comprising two wood-framed brick buildings: a rectangular library block and a U-shaped government office building. Together, they form a retaining wall, allowing Aalto to elevate the central courtyard by filling it with earth excavated from the site’s slope. The result is a courtyard lifted a story above the surrounding landscape, offering two distinct experiences based on one’s vantage point.

From the courtyard, one is met with a modest one-story façade. However, viewed from the outside, the structure reveals an imposing two-story façade, mostly comprised of monolithic, unornamented brick. The divergent styles continue in the two staircases leading to the courtyard: one formal and made from granite, while the other is irregular and made from terraced sod. This duality adds layers of complexity to Aalto’s design, making the building both monumental and intimate.

The courtyard is a crucial element in the building. Partially paved, the courtyard effortlessly melds brick with green, echoing the duality found in the staircases. The civic offices and the public library open onto this space, converting it from merely an open area to a bustling public plaza. The extensive glazing of the entrance lobby and corridor further magnifies the sense of public accessibility.

From Controversy to Timeless Design

Across the glazed corridor lies the most prominent feature of the town hall—the council chamber. The chamber’s grandiosity initially provoked controversy, especially among the municipal board members. Aalto, however, defended his design by comparing it to the council chamber of the world-famous Siena Town Hall. His counter-argument: “Gentlemen! The world’s most beautiful and most famous town hall, that of Siena, has a council chamber 16 meters high. I propose we build one that is 17 meters.”

While rooted in modernist aesthetics, Aalto drew heavily from Renaissance and Medieval Italian architecture, incorporating elements reminiscent of the Piazza San Marco in Venice and Piazza Vecchia of Bergamo. The material palette is equally intriguing: predominantly brick, accented by timber and copper. Unlike his contemporaries like Le Corbusier, Aalto steered clear of the Machine Aesthetic. He viewed his buildings as living organisms, an approach evident in his use of brick laid slightly off-line to create dynamic, shadow-enriched surfaces.

Säynätsalo Town Hall underwent significant restoration beginning in 1995 after becoming a legally protected landmark. The refurbishment focused on preserving the building in its original form, ensuring that Aalto’s masterpiece would be admired by future generations. The project was completed in 1998, marking what would have been Aalto’s hundredth birthday.

Today, the Säynätsalo Town Hall stands as a symbol of architectural ingenuity and civic identity. Its ability to encapsulate the grand and the humble, the classic and the modern, has ensured its place as one of Aalto’s most important works. Beyond the bricks, timber, and landscaped courtyards, it remains a living monument to community life and democratic ideals. And so, while it may appear almost too monumental for its small-town context, it is exactly its grandeur blended with intimacy that makes it an architectural gem deserving of its timeless reputation.

The Säynätsalo Town Hall Plans

alvar aalto nico saieh saynatsalo town hall Archeyes floor plan
Floor Plan | © Alvar Aalto
alvar aalto nico saieh saynatsalo town hall Archeyes elevation
Elevation | © Alvar Aalto
alvar aalto nico saieh saynatsalo town hall Archeyes drawing
Section | © Alvar Aalto

The Säynätsalo Town Hall Image Gallery

About Alvar Aalto

Alvar Aalto (1898–1976) was a Finnish architect and designer renowned for his innovative approach to modernist architecture, which uniquely fused elements of traditional Finnish vernacular with functionalism and humanism. Aalto’s work spans various facets of design, including furniture, textiles, and glassware, but he is most celebrated for his architectural achievements, such as the Paimio Sanatorium, Finlandia Hall, and the Säynätsalo Town Hall. Known for his mastery of materials like wood and brick and his keen interest in human-centric design, Aalto left an indelible imprint on 20th-century architecture. His designs often incorporated organic forms, natural light, and versatile spaces, making him a pivotal figure in shaping the dialogue between modernism and the traditions of his native Finland.

Notes & Additional Credits
  1. The quote encapsulates Aalto’s human-centric vision for architecture, emphasizing the role of the architect in shaping environments that aspire to be utopian or paradise-like for their inhabitants. It reflects his belief that buildings should serve the people who use them, blending form and function in a harmonious way.
  2. Aino + Alvar Aalto: A Life Together by Heikki Aalto-Alanen