Luigi Rosselli Architects skillfully executed the Arch-Texture Residential renovation project in Australia, utilizing arches to bridge the architectural forms of the past with the present. The innovative design breathes new life into a 1900s home, saving it from demolition by a conformist wrecking ball and demonstrating the potential for adaptive reuse.
Arch-Texture House Renovation Technical Information
- Architects1-10: Luigi Rosselli
- Location: Bellevue Hill, Australia
- Topics: Classic Architecture, Residential
- Project Year: 2021
- Photographs: © Prue Ruscoe
The ‘arch’ exists to remind us that some portions of the building were left to us by our predecessors, the ones that survived the wrecking ball, and should be retained for their environmental and cultural value.
– Luigi Rosselli
Arch-Texture House Renovation Photographs
Text by the Architects
It is not a coincidence that the word ‘Arch’ is found in both ‘Arch-itecture’ and ‘Arch-aic’.11
In recent times there has been a resurgence in the use of the ‘Arch’ in architectural forms throughout the world. Why? Most likely as the result of a generational ebb and flow in our cultural relationship to our collective history; a youthful break with our past replaced with a mature revaluation.
Modernism emerged from the conformist historicism of the Victorian era and sought to euthanize that past architectural narrative, and so few arches were visible in its rigid Euclidian geometry. However, following the excesses of the Second World War a melancholic reappearance of a veiled neoclassical architecture emerged, encouraged by the painter, Giorgi de Chirico, and expressed in the works of Giovanni Muzio (Milan), Auguste Perret (Paris), and Professor Leslie Wilkinson (Sydney). This muted revival lasted just a few years, being as it was embroiled in the politics of fascism and Stalinism.
It is not a coincidence that the word ‘Arch’ is found in both ‘Arch-itecture’ and ‘Arch-aic’.
The late 1970s marked another generational return of the ‘Arch’, with its most intransigent proponents such as Bernard Heut, supported by Prince Charles, aspiring to return to an architecture of stone, of which arches are a necessary element. That movement was trivialized and discredited again by a superficial and distasteful American dominance.
The turn of last the century was celebrated as the triumph of modernism, with the relegation of old buildings to the aged care hospitalization of heritage, architectural conformism became modernism.
And so here we are today, and a new generation of architects have found an environmental appreciation of the architecture of the past; a way to reduce the consumption of buildings and revalue the ‘arch’; they are popping up in every sauce and disguise and are not always executed with taste. Fundamentally, however, the ‘arch’ exists to remind us that some of the buildings left to us by our predecessors, the ones that survived the wrecking ball, should be retained for their environmental and cultural value.
This early 1900s home in the Sydney suburb of Bellevue Hill is just one example of a building rescued from a demolition destiny. Its owners were not sure whether to retain the old house or start again from scratch, they had provided us with a brief to create a larger dwelling with a basement garage, and the typical solution adopted by their neighbors with similar aspirations was to demolish, tabula rasa, and build anew. Luigi Rosselli Architects convinced the Client not to resort to such drastic measures and instead proposed additions to the side and rear of the property, with retention of the existing house.
The existing frontage of the house featured a picturesque Queen Anne elevation with an arched porch and well-textured selection of materials: painted face brick, roughcast render, and terracotta roof tiles, which were salvaged from the demolition and reused in the brise soleil façade of The Beehive. In its new iteration, the front additions have been designed to maintain these existing textures, even if in a reinterpreted form, and blend with the original house without confrontation.
The rear additions to the property grew like a mushroom in the rain; our client, having spent their formative years in the capacious homesteads of rural Australia, desired more space than our urban approach would usually have considered, and so we sought to represent the weight of those three-story additions with a set of ‘fallen’ arches, distorted by the weight and the stairs cut into its form. Those arches are built traditionally, in brick, with a self-supporting header coursing along the hem of each arch. This construction is contrary to ‘Australian Standards’, which requires that an arch construction should have steel lintels to support it; as usual, AS proves to be a blunt tool to serve the lowest common denominator.
This project was also driven by William Dangar’s formidable use of vegetation, both existing and new in symmetry, and the skilled use of different textures of plants and foliage. Landscaping, architecture, and arches should hopefully give this residence another century-long lease of life.
Arch-Texture House Renovation Image Gallery
About Luigi Rosselli
After many years seeking wisdom and knowledge from the world, from eminent architects including Mario Botta, Alvaro Siza, Umberto Riva, and Aldo Giurgola in universities and workplaces in Milano, Lausanne, Switzerland, and New York, Luigi settled in Sydney in 1984 and shortly after commenced his practice in Surry Hills.
He immediately embraced with enthusiasm the Australian culture, landscape, and spirit and married his international upbringing to the local. The result was a great number of buildings that are not parochial or provincial, and his best projects are the fruit of a marriage of cultures.
For posterity, he has bred a progeny comprising a successful architect, a challenging artist, and a world-recognized musician.
- Council: Woollahra Council
- Design Architect: Luigi Rosselli
- Project Architects: Simon Hassall
- Landscape Architect: William Dangar for Dangar Barin Smith
- Structural Consultant: Charles Blunt for Rooney & Bye
- Interior Designer: By Client
- Joiner: Sydney Joinery
- Brickwork: Vincent Brady of New Street Constructions
- Stonemason: Nazih for Dasreef Pty Ltd
- Styling: Megan More
- Arch as a noun derives from the Latin ‘arcus’ or ‘bow’.
Arch as prefix derives from the Greek ‘arke’ or ‘ruler’ or ‘beginning’.
The Greek translation of architect is ‘the ruler of builders’.