Diagonal View - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Completed in 1592, la Villa Capra “La Rotonda” was designed by Andrea Palladio in 1567. Commissioned by Paolo Almerico, he asked the architect to create a place for his recreation, a building that combined the housing needs with duties, a place where he could spend his last years between lethargy and ‘holy agriculture’.

Villa La Rotonda Technical Information

Beauty will result from the form and correspondence of the whole, with respect to the several parts, of the parts with regard to each other, and of these again to the whole; that the structure may appear an entire and compleat body, wherein each member agrees with the other, and all necessary to compose what you intend to form.

– Andrea Palladio

Villa Rotonda Photographs
Exterior - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Elvation - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Portico - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Stairs and entrance - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Materiality - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Portico varanda - Villa Capra La Rotonda / Andrea Palladio

© Mario Ferrara

Villa La Rotonda is a Neoclassical villa just outside Vicenza in northern Italy designed by Andrea Palladio. The villa’s correct name is Villa Almerico Capra Valmarana, but it is also known as “La Rotonda”, “Villa Rotonda”, “Villa Capra”, and “Villa Almerico Capra”. The name Capra derives from the Capra brothers, who completed the building after it was ceded to them in 1592. Along with other works by Palladio, the building is conserved as part of the World Heritage Site “The City of Vicenza and the Palladian Villas of the Veneto”.

The choice of the location was fundamental: just about a quarter of a mile from the city walls, the hill in which la Rotonda stands on was guaranteed to offer the clean air all members of the Veneto nobility desired at the time.
The square plan of the villa was rotated 45 degrees, its four corners facing the four cardinal points to mitigate sun exposure and winds. Unlike some other Palladian villas of the Veneto, the building was not designed from the start to accommodate a working farm. This sophisticated building was designed for a site that was, in modern terminology, “suburban”. Palladio classed the building as a “palazzo” rather than a villa.

La Rotonda is a symmetrical building having a square plan with four facades, each of which has a projecting portico. The whole is contained within an imaginary circle that touches each corner of the building and centers of the porticos.  The name La Rotonda refers to the central circular hall with its dome. To describe the villa, as a whole, as a rotunda is technically incorrect, as the building is not circular but rather the intersection of a square with a cross. Each portico has steps leading up to it and opens via a small cabinet or corridor to the circular domed central hall. This and all other rooms were proportioned with mathematical precision according to Palladio’s own rules of architecture, which he published in I quattro libri dell ‘architettura. Works spaces for the villa’s servants are hidden in a low level underneath the first floor, which is accessed via staircases hidden inside the walls of the central hall.

Entry Path | Villa Capra La Rotonda / Andrea Palladio

© Atelier XYZ

Landscape- Villa Capra La Rotonda / Andrea Palladio

© Atelier XYZ

Columns - Villa Capra La Rotonda / Andrea Palladio

© Atelier XYZ

Columns - Villa Capra La Rotonda / Andrea Palladio

© Atelier XYZ

La Rotonda has no foundations: it is self-sustaining thanks to the arches and the brick cross-vaults on the ground floor, which constitutes the structural grid of the perpendicular axes on which the upper floors rest on. If you look carefully at the villa’s perspective, you will notice that the noble floor and the attic each cave in a few centimeters compared to the floor below, acting as a sort of “step pyramid” on three levels, making the whole structure stable.

The design reflected the humanist values of Renaissance architecture. For each room to have some sun, the plan was rotated 45 degrees from each cardinal point of the compass. Each of the four porticos has pediments graced by statues of classical deities. The pediments were each supported by six Ionic columns. A single window flanked each porch. All principal rooms were on the second floor or piano nobile.

For the interiors, Alessandro and Giovanni Battista Maganza and Anselmo Canera were commissioned to paint frescoes in the leading salons. The main space is the central, circular hall, surrounded by a balcony and covered by the domed ceiling; it soars the full height of the main house up to the dome, with walls decorated in trompe l’oeil. Abundant frescoes create an atmosphere that is more reminiscent of a cathedral than the main salon of a country house.

Villa La Rotonda Plans
Floor Plan and Section | Villa Rotonda

Floor Plan and Section | Villa Rotonda by Andrea Palladio

Elevation | Villa Rotonda

Elevation | Villa Rotonda by Andrea Palladio

Villa Rotonda Image Gallery
About Andrea Palladio

Andrea Palladio ( 1508 – 1580) was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him full recognition
Other works from Andrea Palladio

Cite this article: "Villa Capra La Rotonda / Andrea Palladio" in ArchEyes, May 22, 2020, https://archeyes.com/villa-capra-la-rotonda-andrea-palladio/.