Sigurd Lewerentz, a key figure in Scandinavian modernism, was known for his ability to combine simplicity with thoughtful architectural expression. Recognized for his focus on material honesty and craftsmanship, Lewerentz’s work often conveys a sense of timelessness. Among his designs, the Flower Kiosk at Malmö Eastern Cemetery highlights his architectural philosophy. Modest in scale, the kiosk demonstrates his skill in creating spaces that connect deeply with their surroundings.
Flower Kiosk Technical Information
- Architects1: Sigurd Lewerentz
- Location: Malmö Eastern Cemetery, Malmö, Sweden
- Area: 10 m2 | 108 Sq. Ft.
- Project Year: 1969 – 1971
- Photographs: See Caption Details
Classicist, stripped Classicist, window and door handle manufacturer, enjoyer of cigars, encourager of guys doing naughty tubes-and-vents architecture, Romanticist, Brutalist.
– Sir Peter Cook describing Sigurd Lewerentz
Flower Kiosk Photographs
The Flower Kiosk: A Study in Material and Form
Located in Malmö Eastern Cemetery, the Flower Kiosk harmonizes with its surroundings. Constructed primarily from brick, the kiosk showcases the raw materiality that grounds it in its environment. The bricks, laid with uneven mortar joints, give the structure a handcrafted quality and celebrate imperfection.
The kiosk’s form is defined by simple geometry—a rectangular volume with openings that serve as windows. These apertures are positioned to frame views naturally and allow light into the space. The balance between solid walls and voids creates a rhythmic composition that enhances the kiosk’s presence.
A notable feature of the Flower Kiosk is its acceptance of aging. The weathered bricks and patina of the metalwork integrate with the natural surroundings over time. This approach aligns with Lewerentz’s philosophy of creating architecture that matures gracefully.
Functionality and Expression
The Flower Kiosk functions as a space for selling flowers to cemetery visitors. Its design reflects dignity and integrates with the cemetery’s atmosphere, offering a place of quiet reflection and interaction.
The deliberate proportions, tactile materials, and carefully placed openings create a sense of intimacy. The kiosk mediates the relationship between the living, the departed, and the natural world.
Beyond its utility, the design explores life, death, and renewal themes. The kiosk’s role in the ritual of placing flowers on graves underscores its deeper significance as an architectural statement.
Legacy and Lessons for Architects
The Flower Kiosk demonstrates how small-scale architecture can leave a lasting impression. Architects continue to study Lewerentz’s ability to simplify complex ideas and his respect for materials.
The kiosk highlights the importance of material integrity and design in harmony with the context. It shows that carefully executed simplicity can evoke powerful emotions and create meaningful spaces.
Flower Kiosk Plans
Flower Kiosk Image Gallery
About Sigurd Lewerentz
Sigurd Lewerentz (1885–1975) was a Swedish architect and designer considered a pioneer of Scandinavian modernism. Trained as both an engineer and architect, Lewerentz balanced technical precision with artistic sensitivity. Over his six-decade career, he created notable works such as the Woodland Cemetery in Stockholm (in collaboration with Gunnar Asplund) and St. Mark’s Church in Björkhagen. Known for his reclusive nature, Lewerentz’s later works, including the Flower Kiosk, reflect his preference for raw materials and minimalist forms. His legacy influences architects worldwide, emphasizing simplicity and the passage of time.
Credits and Additional Notes
- Client: Malmö City Cemetery Administration
