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Speak Cafe at The Avenues Mall | © Mohammad Taqi Alshkanani

Speak Cafe at The Avenues is a 71-square-meter cafe and retail interior in Kuwait organized by an angled plan, a green tiled service landscape, and reflective stainless steel wall surfaces. Set within an open mall colonnade, the project uses flooring, furniture, light, and material contrast to create a porous threshold between the public concourse, coffee service, and an integrated equipment display.

Speak Cafe at The Avenues Technical Information

Material, geometry and movement shape the coffee experience.

– WEFT

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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani
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© Mohammad Taqi Alshkanani

Insert Within the Mall Colonnade

Speak Cafe occupies an open bay beneath the existing classical-profile columns and shallow arched soffit of Avenues Mall. Rather than absorbing or disguising this inherited setting, the fit-out reads as a self-contained insertion beneath it. The pale, conventionally detailed mall envelope remains visible above and around the intervention, while the cafe establishes its own darker and more concentrated material language at the scale of the body, counter, and wall.

No glazed frontage or door line separates the cafe from the concourse. A straight seam between the mall paving and the cafe’s small-format grey granite marks the tenancy edge, while stainless steel trough planters and outward-facing seating provide a softer territorial definition. This arrangement makes the threshold spatial rather than architectural in the conventional sense. Customers can enter from multiple points, and the seating extends the cafe’s occupation into the circulation field without fully enclosing it.

Angled Planning and Operational Sequence

The compact plan is organized by a long angled wall that cuts across the tenancy, creating a wedge-shaped customer area. Behind this diagonal, the service bar and back-of-house functions are compressed into a more regular service zone. The geometry does more than create visual movement: it gives a small floor plate differentiated zones for queueing, preparation, seating, and retail without relying on partitions that would interrupt the open mall frontage.

The counter arrangement and illuminated overhead markers clarify the sequence from order to pickup. A long tiled order counter gathers equipment, menu information, and pastry displays along the main customer path, while a deeper pickup point sits beneath a luminous ceiling raft. The raft and green fascias work as wayfinding devices within an interior whose faceted edges might otherwise complicate orientation. Diagonal banquettes align with the frontage and provide partial enclosure for seated visitors, while loose tables preserve adaptable circulation between the mall, counter, and retail component.

Green Tile, Rippled Steel, and Folded Infrastructure

A three-part wall composition gives the cafe its most legible architectural order. Handmade green glazed tiles form the lower register, continuing from wall to counter and making the service volume read as a continuous constructed mass. Their stack-bond pattern, irregular edges, pinholes, and tonal shifts resist the uniformity often associated with retail interiors. Greens move between emerald, olive, and muted grey, allowing the material to register under both the mall’s daylight and the warmer interior lighting.

Above the tiled field, brushed stainless steel panels introduce a reflective middle band beneath the exposed concrete soffit. The steel is deliberately uneven, causing green tile, signage, and passing light to blur into horizontal ripples rather than appearing as stable mirror images. Folded sections of these panels reveal speakers, illuminated display recesses, and concealed light sources. By bringing these service components into view, the detailing treats infrastructure as part of the wall’s articulation. The folds give the steel depth and operational purpose, avoiding the effect of a purely decorative cladding layer.

Retail as a Material Counterpoint

The Coffee Tools retail area is integrated into the cafe’s circulation route rather than separated into an adjacent shop. Grey granite continues uninterrupted between coffee service and product display, making the retail program available from the same public field. This continuity matters in a small tenancy: it avoids duplicating entrances, corridors, and threshold conditions while keeping the cafe counter as the primary spatial anchor.

Material contrast distinguishes the retail zone from the green-and-steel environment. Full-height burl wood veneer introduces a dense brown field with pronounced swirling grain, creating a warmer visual register without requiring a wall or a change in floor level. Thin stainless steel shelves and integrated lighting maintain a connection with the cafe’s detailing, while a ribbed-glass ceiling panel gives the display aisle a more focused overhead condition. The retail area remains perceptible as a distinct layer, but its open edges and shared materials keep it subordinate to the larger coffee-service space.

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Floor Plan | © WEFT
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Section | © WEFT
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Service Counter | © WEFT
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Counter | © WEFT

About WEFT

WEFT is a creative studio based in Kuwait City, Kuwait, established in 2020. The studio bridges architecture, art, and design through its creative approach.

Credits and Additional Notes
  1. Other Contributors: Interior Design, Furniture and Accessories: WEFT, Kuwait
  2. Construction Company: Concrete, Kuwait
  3. Client: Abdulaziz Aldayel
  4. Photography: Mohammad Taqi Alshkanani, Kuwait