Marc-Christoph Wagner interviewed Peter Zumthor at his studio in Haldenstein, Switzerland, in May 2015.
Peter Zumthor Interview Technical Information
- Architect: Peter Zumthor
- Camera: Klaus Elmer
- Edited by: Klaus Elmer
- Produced by: Marc-Christoph Wagner
- Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
- Interview Year: 2015
Designing is a matter of concentration. You go deep into what you want to do. It’s about intensive research, really. The concentration is warm and intimate and like the fire inside the earth – intense but not distorted. You can go to a place, really feel it in your heart. It’s actually a beautiful feeling.
– Peter Zumthor
Louisiana Channel Article
In this extensive and rare biographical video interview, he tells the captivating story of his childhood, his studies in NYC, and his parents’ strong influence.
Zumthor – who works from the small town of Haldenstein in Switzerland – likes being outside the big centers of the world, as it frees him from having to consider the opinions of his colleagues: “If you work as an artist, you need your own separate space.” He does, however, also work well in the “anonymous sound” of a city, where it is also possible to find calm in “a protective ocean of sound.” There are, Zumthor feels, different kinds of silence, and finding one’s mental silence – being able to concentrate – is what is most important to work well.
“There’s nothing I’m not interested in.” Zumthor loves literature and music, but prides himself in taking an overall interest in different things, as it fuels him: “It’s a nourishing ground.” His constant appetite for learning gives him the tools to be able to understand whatever place or landscape he needs to work in, and being able to “feel a space” and having an idea how to react as an architect, is essential. When he designs his innovative architecture, Zumthor furthermore puts great emphasis on connecting the old with the new, rather than breaking with history. Likewise, he feels that all architects have an enormous social responsibility when it comes to creating buildings, which are both well crafted and sustainable.
Anything can be considered art as long as it’s done with personal devotion to the making of it. Zumthor argues: “I never decided to become an architect.” Starting as an industrial designer, it was not until 1968 that he made the decision of becoming an architect and began participating in competitions, thinking to himself: “I can do this better.” As for the first competition he entered, he was kicked out in the first round – a pivotal experience that made him aware of the need always to improve.
About Peter Zumthor
Peter Zumthor (b. 1943) is a Swiss architect. Among his best-known projects are the Kunsthaus Bregenz in Austria, the thermal baths in Vals in Switzerland, the Swiss Pavilion for Expo 2000 in Hannover (an all-timber structure intended to be recycled after the event) and the Kolumba Diocesan Museum in Cologne. Zumthor is the winner of several prestigious awards such as the 1998 Carlsberg Architecture Prize, the Mies van der Rohe Award for European Architecture (1999), the Praemium Imperiale (2008), the 2009 Pritzker Architecture Prize and the 2013 RIBA Royal Gold Medal. He lives and works in Switzerland.
[cite]
