The Site of Reversible Destiny is an “experience park” opened in 1995 designed by Nagoya-born, New York-based artist Arakawa Shusaku and his wife and artistic partner, poet Madeline Gins. The theme of the park is “encountering the unexpected,” spreading across about 18,000 square meters. The artist Shusaku Arakawa and poet Madeline Gins realized here their bold and reckless 30-year vision. The site consists of a main pavilion called the “Critical Resemblance House” and the vast bowl-like “Elliptical Field“.
Reversible Destiny Lofts technical information
- Architects: Madeline Gins and Shusaku Arakawa
- Location: Yoro, Gifu Prefecture, Japan
- Program: Landscape Architecture / Park
- Project year: 1995
- Size : 195,000 sq ft / 18,100 sq m
- Foundation: Reversible Destiny Lofts MITAKA
- Photographs : © Arakawa & Gins
The best way to get a handle on how a person is situated in the world is actually to construct one, a handle expressly made for the purpose.
– Shusaku Arakawa in “Architecture: Sites of Reversible Destiny”
Yoro Park Photographs
The Site Of Reversible Destiny Article
The park presents itself to the visitor as a carefully considered construction of undulating planes, shifting colors, and disorienting spaces, thus providing a place of purposeful experimentation. Nine structures referred to as “Architectural Fragments” are set in the terrain of the Elliptical Field and are identified by names such as “Geographical Ghost” and “Exactitude Ridge”.
The Critical Resemblances House is a large structure set apart from the Elliptical Field and comes with its own Directions for Use that are designed to maximize certain aspects of the visitor’s experience. The conceptual underpinning of the project can be found in the 2005 essay “Architecture: Sites of Reversible Destiny,” in which Arakawa and Gins propose that “juggling, jumbling, and reshuffling the body with its fund of landing sites introduces a person to the process that constitutes being a person.
To reverse destiny one must first re-enter destiny, re-positioning oneself within the destiny of being slated to live without ever knowing how and why. The re-entering of destiny must be highly calculated. The world and everything in it will have to be transformed into a site of reversible destiny.
Yoro Park Plans
Yoro Park Gallery