Nakagin Capsule Tower in Tokyo / Kisho Kurokawa
Street View, 1975 | Photographer Unknown

Designed by renowned Japanese architect Kisho Kurokawa and completed in 1972, the Nakagin Capsule Tower stands as a symbol of Japan’s postwar cultural resurgence and an iconic example of the innovative architectural movement known as Japanese Metabolism. As the world’s first mixed-use residential and office tower constructed using capsule architecture, the building remains a remarkable feat of modern design and technological advancement. Despite its current disrepair, the Nakagin Capsule Tower remains a crucial architectural landmark in the heart of Tokyo and a testament to the visionary ideas of its designer.

Nakagin Capsule Tower Technical Information

Architecture (is) a theatre stage setting where the leading actors are the people, and to dramatically direct the dialogue between these people and space is the technique of designing.

– Kisho Kurokawa

Nakagin Capsule Tower Photographs

Nakagin Cpsule Tower Building
© Aya. H
Nakagin Capsule Tower in Tokyo / Kisho Kurokawa
Capsule Details | Photographer Unknown
Nakagin Capsule Tower / Kisho Kurokawa
Street View | Photographer Unknown
Nakagin Capsule Tower / Kisho Kurokawa
Nakagin Capsule Tower Detail
Nakagin Capsule Tower / Kisho Kurokawa
© Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
Interiors
Nakagin Capsule Tower / Kisho Kurokawa
Kitchen | © Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
Living Room | © Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
The bed inside the capsule | © Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
Interior of the capsule | © Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
Window | © Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
Window | © Noritaka Minami
Nakagin Capsule Tower / Kisho Kurokawa
Window | © Noritaka Minami

Design and Construction

The building comprises two interconnected concrete towers that are, respectively, eleven and thirteen floors housing 140 self-contained prefabricated capsules. The 140 capsules are hung off the concrete towers that contain the vertical communications. The units are identical, prefabricated steel cells filled with a bath unit, conditioning system, and color television. Built-in Osaka, they were transported to Tokyo by truck. The assembly time for each capsule took three hours. Within one month, the capsules were all sold.

Each capsule measures 2.5 m (8.2 ft) by 4.0 m (13.1 ft) with a 1.3-meter diameter window at the end. They function as a small living space or office and can be connected to create larger areas. Each capsule is connected to one of the two main shafts only by four high-tension bolts and is designed to be replaceable. Although the units were designed with mass production in mind, none of the units have been replaced since the original construction.

The capsules were fitted with utilities before being shipped to the building site, where they were assembled. Each capsule was attached independently and cantilevered from the shaft so that any capsule could be removed easily without affecting the others. The capsules are all-welded lightweight steel-truss boxes clad in galvanized, rib-reinforced steel panels, which were coated with rust-preventative paint and finished with a coat of Kenitex glossy spray after processing.

The cores are made of reinforced concrete. From the basement to the second floor, ordinary concrete was used; lightweight concrete was used above those levels. Shuttering consists of large panels, the height of a single story of the tower. Because of the pattern in which two days of steel-frame work were followed by two days of precast-concrete work, the staircase was completely operational by the time the framework was finished. On-site construction of the elevators was shortened by incorporating the 3-D frames, the rails, and anchor indicator boxes in the precast concrete elements and by employing prefabricated cages.

Preservation Vs. Demolition of the Nakagin Capsule Tower

The capsules can be individually removed or replaced. In 2006, when demolition was being considered, it was estimated that renovation would require around 6.2 million yen per capsule.

80% of the capsule owners must approve demolition, which was first achieved on April 15, 2007. A majority of capsule owners, citing squalid, cramped conditions and asbestos concerns, voted to demolish the building and replace it with a much larger, more modern tower.

In the interest of preserving his design, Kurokawa proposed taking advantage of the flexible design by “unplugging” the existing boxes and replacing them with updated units. The plan was supported by the major architectural associations of Japan, including the Japan Institute of Architects. Still, the residents countered with concerns over the building’s earthquake resistance and its inefficient use of valuable property adjacent to Ginza’s high value. Kurokawa died in 2007, and a developer for renovation has yet to be found, partly because of the late-2000s recession.

The hot water in the building was shut off in 2010. In 2014 Masato Abe, a capsule owner, former resident, and founder of the “Save Nakagin Tower” project, stated that the project was attempting to gain donations from around the world to purchase all of the capsules and preserve the building.

Capsule Tower by Kisho Kurokawa Plans

Nakagin Capsule Tower / Kisho Kurokawa
Elevation | Credit: Kisho Kurokawa
Nakagin Capsule Tower / Kisho Kurokawa
Section and Elevation | Credit: Kisho Kurokawa
Nakagin Capsule Tower / Kisho Kurokawa
Floor Plan of the Nakagin Capsule Tower | Credit: Kisho Kurokawa

About Kisho Kurokawa

Kisho Kurokawa was a leading Japanese Architect whose work was influenced by both the east and west cultures. Philosopher, teacher, print-maker, speed-boat enthusiast, and translator of architectural books, notably those of Jane Jacobs and Charles Jencks, Kurokawa was an intellectual who got to build critical projects in Japan. In 1962 he established Kisho Kurokawa Architect & Associates. Upon his decease in 2007, his son Mikio decided to carry on his will and succeed in his position representing the firm.

Works from Kisho Kurokawa